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Updated: May 31, 2025


The novelist did his utmost, continues Monsieur de Lovenjoul, to foster the tradition of his hermit-like conduct; and to all the jealous women with whom he entertained friendly relations he asserted that his morals were as spotless as those of a cenobite. Ever and everywhere he abused the credulity of those who flattered themselves they were his only love.

He is, in a single individual, the happy combination of several men, that is to say, he is by turns, and as it may be needful, a man indulgent or severe in his preaching; a man of abstinence, or a good feeder; a man of the world, or a cenobite; a man of his breviary, or a courtier.

Kelly was on the bench one day when the Russian uttered this rule of the cenobite school. They were good friends, but differed. They agreed that the world was sick and needed a radical medicine. Kelly was for a complete cure by ending private business through the workers seizing it when the time was ripe, which he believed would be soon.

But sometimes also the troubles of the soul and of the senses throw us into an impious sadness which is a thousand times worse than the joy. Brother Paphnutius, I am but a miserable sinner, but I have found, in my long life, that the cenobite has no foe worse than sadness. I mean by that the obstinate melancholy which envelopes the soul as in a mist, and hides from us the light of God.

Now the superior volume of the broad bean, which is almost as much beloved by the weevil as the pea, can lodge a considerable community, and the solitary can live as a cenobite. Without encroaching on the domain of their neighbors, five or six or more can find room in the one bean.

He is, in a single individual, the happy combination of several men, that is to say, he is by turns, and as it may be needful, a man indulgent or severe in his preaching; a man of abstinence, or a good feeder; a man of the world, or a cenobite; a man of his breviary, or a courtier.

Speaking broadly, the art of Kyoto showed a decorative tendency, whereas that of Kamakura took landscape and seascape chiefly for motives, and, delighting in the melancholy aspects of nature, appealed most to the student and the cenobite. This distinction could be traced in calligraphy, painting, architecture, and horticulture.

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