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Updated: June 23, 2025
Après vous, monsieur!" had vouched for the excellence of its manners, and where we could look across the river and see for ourselves how true were the effects that Cazin used to paint and that seemed so false to those who knew nothing of French twilight, and when Beardsley had finished his first glass of very ordinary wine well watered, he let us know what he thought about les vieux and their stultifying observance of worn-out laws and principles.
An original Cazin, and a chalk drawing by Baudry hung against the wall close by together with a bronze tablet by Saint Gaudens; while across the entire end of the room opposite the fireplace, worked in the tapestry of the best period of the northern French school, Halcyone, her arms already blossoming into wings, hovered over the dead body of Ceyx, his long hair streaming like seaweed in the blue waters of the AEgean.
Though unintelligent in some respects, the photography and subject-matter of many of them made one think of that painter of gentle out-of-door scenes, Jean Charles Cazin. Here is our last clipping, which is also in a spirit allied to Cazin. The heroine, accompanied by an aged shepherd and his dog, are in the foreground. The sheep are in the middle distance on the edge of the river.
But however that may be, Cazin never penetrates to the sentiment of nature that one feels in such a work as Harpignies's "Moonrise," for example, or in almost any of Pointelin's grave and impressive landscapes. They have a quicker sense for the beautiful, I think. They feel very certainly much more deeply the suggestiveness of a scene. They are not so débonnaires in the presence of their problems.
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