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Updated: May 28, 2025
In those days Bernardo del Bianco had caused to be erected, in the Badia of Florence, a chapel of grey-stone, full of carving, and very rich and beautiful, from the design of Benedetto da Rovezzano: which chapel was and still is much esteemed on account of some ornamental work of great variety, wherein Benedetto Buglioni placed, in some niches, angels and other figures made of glazed terra-cotta, in the round, to adorn it the more, with friezes containing cherubs and the devices of Bianco.
Monsieur le comte est sorti. Next morning, as I was sitting in my room in the Hotel Trombetta, Blanchetti rushed in, pressed me to his bosom, kissed me on both cheeks, would not let me go, but insisted on carrying me off with him to the country. We drove round the town first, then went by rail to Alpignano, where Costanza was staying with a relative of the family, Count Buglioni di Monale.
That is a work of the sixteenth century, and thus the fifteenth-century work, ever present with us in Florence, is missing here. It is not, however, to any member of the della Robbia clan that we owe this beautiful work, I think, but to some unknown sculptor with whom Buglioni may have worked.
This work was executed by Tribolo with so much art and judgment, that it was admired by all who saw it, and what caused even greater marvel was the speed with which he finished it; among his assistants being the sculptor Santi Buglioni, who was crippled for ever in one leg by a fall, and came very near dying.
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