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For just as Artsybashev's tuberculosis has made him create the modern Tamburlaine as a mental enjoyment of physical activity, so the less turbulent nature of Chekhov has made him reproduce in his creatures of the imagination his own sufferings and fears.

Nearly all of his trips to Britain were made solely for this purpose, and most of the distinguished Englishmen that he met, like Tennyson, he met while visiting England for grouse. Shooting, to be sure, is common enough in Russia; it appears in Artsybashev's "Sanin," and there was a time when Tolstoi was devoted to this sport, though it later appeared on his long blacklist.

Turgenev's Bazarov and Artsybashev's Sanin indicate the ardent revolt against the national masculine temperament; like true Slavs, they go clear to the other extreme, and bring resolution to a reductio ad absurdum; for your true Russian knows no middle course, being entirely without the healthy moderation of the Anglo-Saxon. The great Turgenev realised his own likeness to Rudin. Mrs.

The author's mouthpiece in the story is the drunkard Nasanski, who prophesies of the good time of the brotherhood of man far in the future. This is to be brought about, not by the teachings of Tolstoi, which he ridicules, but by self-assertion. This self-assertion points the way to Artsybashev's "Sanin," although in Kuprin it does not take on the form of absolute selfishness.

One of the most terrible results of the publication of Artsybashev's novel "Sanin" where the hero's theory of life is simply to enjoy it, and where the Christian system of morals is ridiculed was the organisation, in various high schools, among the boys and girls, of societies zum ungehinderten Geschechtsgenuss.