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Updated: May 28, 2025
The art of painting, which in the fifteenth century had done its best to foster the delusion now expressed the altered tone of thought. Raphael, in the cupola of the Capella Chigi, represents the gods of the different planets and the starry firmament, watched, however, and guided by beautiful angel-figures, and receiving from above the blessing of the eternal Father.
The sculptor himself has commented on the religious tone that runs through much of the Exposition sculpture, remarking especially the prevalence of winged angel-figures. The reader is left to decide how far this has resulted from the fact that the winged form is essentially decorative, and how far from reverence.
The wide angle-nook and high carved chimney-piece, supported by two sculptured angel-figures of heroic size, was left unmodernised, and in winter the gaping recess was filled with great logs blazing cheerily as in olden times, but in summer, as now, it served as a picturesque setting for masses of rare flowers which, growing in pots, or cut freshly and set in crystal vases, were grouped together with the greatest taste and artistic selection of delicate colouring, forming, as it seemed, a kind of blossom-wreathed shrine, above which, against the carved chimney itself, hung a wonderfully impressive picture of the Virgin and Child.
One is reminded, in some of the angel-figures, of the brilliant light and shadow on the little flying cherubs in the "Assumption," at Venice. Here all is silvery, where in Titian all burns with the glory of a Venetian sunset. But this picture of Murillo seems to me what one must call an eminently "happy" picture.
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