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Updated: May 9, 2025
By this time, one had got too far beyond one's depth to ask questions. If Libri could not read Italian, very clearly Adams had better not offer to help him. He took the drawing, thanked everybody, and having exhausted the experts of the British Museum, took a cab to Woolner's studio, where he showed the figure and repeated Reed's opinion.
Of course my husband was greatly flattered when he heard of it, and readily accepted an invitation to lunch with Mr. Woolner's family, and to meet the poet whom he so much admired. I sat by Mr. Tennyson, and endeavored to suppress any outward sign of the interest and admiration so distasteful to him.
Another savage critic, also a poet, was Thomas Woolner, a type almost more emphatic than Palgrave in a society which resounded with emphasis. Woolner's sculpture showed none of the rough assertion that Woolner himself showed, when he was not making supernatural effort to be courteous, but his busts were remarkable, and his work altogether was, in Palgrave's clamorous opinion, the best of his day.
Alma Tadema generously expressed the hope of seeing sometime the signature of Miss Hamerton by the side of the other names. My husband also took Mary to Mrs. Woolner's, and she enjoyed greatly the society of the children, who spoke French very creditably, and who were interested in the details she could give them about French life and ways.
They took her to their father's studios, and showed her his works. When dinner-time came, however, she was unprepared for being waited upon by her new friends, and in consequence felt somewhat ill at ease. It was a fancy of Mr. Woolner's to make his children wait upon his guests.
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