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Updated: May 19, 2025
In that interesting work, Vikramadytia welcomes the Saint Manjushiri and eighty-four thousand disciples of Buddha in a room of this size, an allegory based on the theory of the non-existence of space to the truly enlightened. Again the roji, the garden path which leads from the machiai to the tea-room, signified the first stage of meditation, the passage into self-illumination.
Fa-Hien, who visited India during the reign of Vikramadytia, though dismayed at the desolation which had already overtaken many of the sacred places of Buddhism, pays a generous tribute to the tolerance and statesmanship of that great sovereign. The country seems, indeed, to have enjoyed real prosperity under a paternal and almost model administration.
All our great tea-masters were students of Zen and attempted to introduce the spirit of Zennism into the actualities of life. Thus the room, like the other equipments of the tea-ceremony, reflects many of the Zen doctrines. The size of the orthodox tea-room, which is four mats and a half, or ten feet square, is determined by a passage in the Sutra of Vikramadytia.
It was his court at Ujjain which is believed to have been adorned by the "Nine Gems" of Sanskrit literature, amongst whom the favourite is Kalidasa, the poet and dramatist. Amidst much that is speculative, one thing is certain. The age of Vikramadytia was an age of Brahmanical ascendancy.
Strange to say, however, his fame has never been so popular as that of his son, Chandragupta II., Vikramadytia, the Sun of Power, who reigned in turn for nearly forty years, and has lived in Hindu legend as the Raja Bikram, to whom India owes her golden age.
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