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Updated: May 15, 2025
It had been previously treated by a master hand in FATHERS AND SONS. Partly because Turgeniev's great work was typical rather of Russian than universal conditions, and still more because it was in the form of fiction, the influence of FATHERS AND SONS was limited to Russia. But HEIMAT, especially because of its dramatic expression, became almost a world factor.
He sneered at formal charity and a pretence of labour. Hearing that Turgeniev's young daughter sat dressed in silks to mend the torn and ragged garments of poverty, as part of her education, he commented with his usual harshness. The comment was not forgiven, and strife separated men who had, nevertheless, a curious attraction for each other.
It belongs to no school; it follows no tendency. You cannot put it into any category. It is not "Realism", it is not "Romance", any more than Jane Eyre: and if any other master's method, De Maupassant's or Turgeniev's, is to be the test, it will not stand it. There is nothing in it you can seize and name. You will not find in it support for any creed or theory.
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