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"Lucy! my beloved!" "O Richard!" Out in the world there, on the skirts of the woodland, a sheep-boy pipes to meditative eve on a penny-whistle. Love's musical instrument is as old, and as poor: it has but two stops; and yet, you see, the cunning musician does thus much with it!

"Lucy! my beloved!" "O Richard!" Out in the world there, on the skirts of the woodland, a sheep-boy pipes to meditative eve on a penny-whistle. Love's musical instrument is as old, and as poor: it has but two stops; and yet, you see, the cunning musician does thus much with it!

Out in the world there, on the skirts of the woodland, the self-satisfied sheep-boy delivers a last complacent squint down the length of his penny-whistle, and, with a flourish correspondingly awry, he also marches into silence, hailed by supper. The woods are still. There is heard but the night-jar spinning on the pine-branch, circled by moonlight.

The three pastoral elegies of William Basse, published in 1602, the last work of the kind to appear in Elizabeth's reign, form in reality a short pastoral romance. The court-bred Anander falls in love with the shepherdess Muridella, and charges the sheep-boy Anetor to convey to her the knowledge of his passion.

Out in the world there, on the skirts of the woodland, the self-satisfied sheep-boy delivers a last complacent squint down the length of his penny-whistle, and, with a flourish correspondingly awry, he also marches into silence, hailed by supper. The woods are still. There is heard but the night-jar spinning on the pine-branch, circled by moonlight.

Then he went on a little farther until, all at once, as he was passing a bush, he heard from behind it the sound of crying. "Ha! Some one in trouble again," said Uncle Wiggily. "I wonder if it can be Little Boy Blue?" He looked, but, instead of seeing the sheep-boy, whom he had once helped, Uncle Wiggily saw a little girl. "Ha! Who are you?" the bunny uncle asked, "and what is the matter?"