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Updated: May 15, 2025


The extreme form, which from its nature is semi-morbid, becomes in its highest degree plainly pathological; the unifying principle changes to a condition of obsession. Through association there is a radiation in every direction.

But, having gone to the concert fatigued and jaded, he sees nothing during the first number: the visions begin during the andante of the second, and accompany "in profusion" the rendering of the third. On the other hand, sensory images remain without opposition and come to the front; at least, unless they are reënforced by a state of semi-morbid excitation.

But the working of the mind on words, erecting them into entities, conferring life and power on them in a word, the activity that creates myths and is the final basis of all constructive imagination appears also here. Up to this point we have considered the practical imagination only in its somewhat petty aspect in small inventions or as semi-morbid in superstitious fancies.

Following a method that seems to me best adapted for these ill-explained questions I shall single out only the principal forms, which I have reduced to three the unstable, the organic or middle, and the extreme or semi-morbid unity. The unstable form has its starting point directly and immediately in the reproductive imagination without creation.

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