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It was the week of the Gordon Bennett balloon race and every hotel, every lodging-house was full. It was also the Richard Strauss festival week, with the formal inauguration of the two magnificent opera-houses in the Schlossgarten. So it was not difficult to guess that an important visitor was due at the station.

They may watch from the Schlossgarten at Heidelberg the sun go down beyond the Rhine over Alsace, then again united to France; they may wander again in friendly talk with some forester under the pines of the Schwarzwald and listen to the singing of the familiar Volkslieder Tannenbaum or Haiden Röslein by a people who have a natural gift for song; they may in Nuremberg again look with delight on the marvels in stone wrought by its craftsmen or seek out the hidden meanings in the mystic art of Albrecht Dürer; perhaps be whirled along in the Isar "rolling rapidly" through the baths of Munich or plunge in the crystal depths of the König See; from the highlands of Bavaria they may lift up their eyes to the long ranges of the snowy Alps of Tyrol, and, as the decennial cycle comes round and the reverent peasants re-enact the sacred drama, may make their pilgrimage to Ammergau and share the thrill passing along the crowded benches when the children's voices are heard, and they enter, waving their palm branches, that those who watch their beautiful counterfeit may recall, with imagination vivid like a child's, another procession of joyous children, nineteen hundred years ago.