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Chernichevsky's What to Do, Gogol's Dead Souls, Turgenief's Virgin Soil and Fathers and Sons, the doctrines of Pisarev and Bielinsky, and of the other writers who then had their greatest vogue, were eagerly read and frequently copied by Jewish young gymnasiasts and passed on to their Christian schoolmates. The revolutionary spirit seized on men and women alike.
In the middle ages alchemy was gradually in a natural, peaceful way changing into chemistry, and astrology into astronomy; the monks did not understand, saw a conflict and fought against it. Just such a belligerent Spanish monk was our Pisarev in the sixties. Bourget, too, is fighting. You say he is not, and I say he is.
Thus, Bazarov, that nihilistic creation of Turgenev, appeared to the English, French, and German public as a mystical hero not viable in human society, while Pisarev, one of the sanest of Russian critics, considers him as a model of the really free man.
The man pulls Onyegin and Tatyana down from their pedestals, but Pushkin remains unhurt. Pisarev is the grandfather and father of all the critics of to-day, including Burenin the same pettiness in disparagement, the same cold and conceited wit, and the same coarseness and indelicacy in their attitude to people. It is not Pisarev's ideas that are brutalizing, for he has none, but his coarse tone.
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