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Updated: June 14, 2025
'Little d'Éon is very active, very discreet, never curious or officious, neither distrustful nor a cause of distrust in others. De Nivernais was so pleased with him, and so anxious for his promotion, that he induced the British Ministers, contrary to all precedent, to send d'Éon, instead of a British subject, to Paris with the treaty, for ratification.
Go into the tiniest suburban street, enter the poorest little general shop, and you are reminded of the art that made the city famous hundreds of years ago, an art introduced by a Duke of Mantua, relation of Catherine de Medicis. It was in the sixteenth century, that this feudal lord of the Nivernais summoned Italian potters hither, among these a native of Faenza.
In the beginning of her art studies it was only when her home duties were discharged that she could hasten to the Luxembourg, where, curiously enough, her time was devoted to copying "Le Labourage Nivernais," by Rosa Bonheur, whose beloved and devoted friend she later became.
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