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Updated: May 26, 2025


These were pinned at the belt of the active housewife, and hung swaying against her skirts if she rose from her sewing, or were conveniently at hand if she sat patching or embroidering. I remember that some of my grandmother's "huz-ifs" still held threads of different colored crewels wound on bits of cardboard, and any embroiderer might envy the convenience of such holders.

I was talking of design, when "huz-ifs" intruded, and was saying that at the period when "blue-and-white" took on the "outline practice" design was a difficult question; indeed, it is always a difficult question for embroiderers. It is so important a part or quality of the art of embroidery.

India chintzes were printed upon white or tinted grounds of hand-spun cotton, in colors so generously full of substance as to have almost the effect of brocaded stuffs, and adaptations from their designs were suitable for embroidery. I remember the three-cornered and square bits of India chintz which my grandmother showed me in long-preserved "housewives," or "huz-ifs," as she called them.

I do not see, in fact, why there should not be a revival of "huz-ifs," a pleasant new fashion, founded upon the old, holding in harmonious variety all the wonders of modern manufacture, as well as making mementos of former gowns of one's own and of one's friends. They might be studied gradations of color and design, and be enriched by harmonious bindings.

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