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But more artistic novelists, like Victor Hugo for example, never fail to take advantage of the terminal position. The gypsy-girl, Esmeralda, has been hanged in the Place de Grève. The hunchback, Quasimodo, has flung the archdeacon, Claude Frollo, from the tower-top of Notre Dame. This paragraph then brings the chapter to an end:
But more artistic novelists, like Victor Hugo for example, never fail to take advantage of the terminal position. The gypsy-girl, Esmeralda, has been hanged in the Place de Grève. The hunchback, Quasimodo, has flung the archdeacon, Claude Frollo, from the tower-top of Notre Dame. This paragraph then brings the chapter to an end:
Topándy's word of honor only just escaped being broken for that gypsy-girl, whom he had bought in her sixth year from encamping gypsies for two dollars and a sucking pig, now, ten years later, did not belong any more to the household, but presided at table when gentlefolk came to dinner. But she still bore that heathen name, which she had received in the reedy thicket. She was still called Czipra.
"Yes, before I joined that expedition," he said. "It was from there I started." "Yes, of course," I replied. "I remember now. It was a Danish expedition. But what made you chuck up your studies so suddenly?" "Oh! I don't know. I guess I was just about sick of most things. My stars! Look at that little gypsy-girl dancing the can-can; isn't she fresh? Isn't she wonderful?
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