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These annotations, or, rather, memorandums, like those in the Guazzo, explain or illustrate the text. At the top of the page, within the margin-rules, the annotator has written the year during which the events there related took place; and he has also paged the Preface. Now of these annotations about one half are in pencil, the numbering entirely so, with a single exception.

Bohn in his new edition of the Bibliographer has merely repeated the original in this respect. But if Lowndes had seen only the edition of 1652, he might have found in it evidence of the date of the publication of the book. But to return to the margins of our Guazzo, from five pages of which we here give fac-similes.

Ingleby intimates it is impossible to find in genuine handwriting, and the existence of which in the Collier folio Mr. But our copy of Guazzo is of further use to us in the examination of this subject. Collier's folio. They will be found in the second edition of Richard Gethinge's "Calligraphotechnia, or The Arte of Faire Writing, 1652."

The volume is defaced by little writing besides the names of three possessors whose hands it passed through piecemeal or as a whole; but it is remarkable, that, while one possessor has written on the first title in ink the price which he paid for it, "pr. 2s. 6d.," in a handwriting like that of "proverbe" in the third fac-simile from Guazzo, on p. 268 above, another has recorded in pencil on the next leaf the amount it cost him, "pr: 5s.," in a hand of perhaps somewhat later date, more in the style of the fac-similes from the "Life of Queen Mary," on p. 271.

I is from the margin of the first page of the Preface to Guazzo, mentioned above; No. 2 from the third, and No. 3 from the fifth page of the same Preface; No. 4 from fol. 27 b of the body of the work; No. 5 is the "monstrous letter" of the Bridgewater folio; and No. 6 the "impossible E" of the Ralegh signature.