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There goes 'the seld shown flamen, puffing his way to win a vulgar station, here is a 'veiled dame' who lets us see that 'war of white and damask in her nicely gawded cheeks, a moment; look at that 'kitchen malkin, peering over the wall there with 'her richest lockram' 'pinned on her reechy neck, eyeing the hero as he passes; and look at this poor baby here, this Elizabethan baby, saved, conserved alive, crying himself 'into a rapture' while his 'prattling nurse' has ears and eyes for the hero only, as 'she chats him. Look at them all, for every creature you see here, from 'the seld shown flamen' to the 'kitchen malkin, belongs soul and body to 'our gracious Empress, and Essex and Raleigh are still winning their garlands of the war, that is when the scene is taken, but not when it was put in its place and framed in this composition; for their game was up ere then.
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