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There are other Eastern characteristics both here and in other places on the coast, such as the sheet of lead upon which the bases of columns are set, as in Byzantine work; the free-standing apse, found at Salona in two places, and in the earlier church at Parenzo; the plan of S. Maria delle Grazie, Grado, with the apse in the centre, and the two chambers flanking it, an arrangement found in a temple of 192 A.D., at Is-Sanamên in the Northern Hauran, by Mr.

If the pillar which supports the slab is, like the free-standing pillars, a baetyl, the slab is probably a mere roof to cover and protect it; if not, the slab is almost certainly a table. At the same time, although we may not accept the hypothesis that the cell is derived from a dolmen, Sir Arthur Evans may still be right in supposing the worship to have originated in a cult of the dead.

Its main entrance, facing the west, is composed of three splendid arches, set off by free-standing columns, which resemble weather-stained shafts of Sienna marble and are the pedestals for the sculptured figures representing the powers of "Invention," "Electricity," "Imagination" and "Steam."

At the tower side of the court, flanking the stairway that leads to the archway under the tower, are two free-standing monuments that were designed as fountains. The original plan called for cascades from below the Stone Age group on the tower to these monuments.

The colonnade of the peristyle, which is 114 ft. by 50 ft., consists of six free-standing columns of red granite on each side and four at the end. Those at the sides support arches beneath an architrave continued across the end and rising into an arched form over the central space beneath the pediment. This portion is raised several steps above the general level.

It seems certain that it is an Oriental importation, especially in connection with the fact that the free-standing apse, as in the earlier church at Parenzo and at Salona, occurs quite frequently in Cilicia and Lycaonia, as Miss Lowthian Bell shows. Between Grado and Aquileia is a little island with a celebrated church, S. Maria di Barbana.

Seldom before have sculptors anywhere, since sculpture and architecture first worked hand in hand, so played their most important roles together in the ensemble setting that constitutes our Exposition visually. On arch or column, in niches, in fountains, and in free-standing groups, they sing of many themes, and always in harmony, but with no loss of character or individuality.