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In Stephen Gosson's School of Abuse, a tract directed against the stage and published about four months later than the first part of Euphues, the language is directly Euphuistic. The dramatist, Robert Greene, published, in 1587, his Menaphon; Camilla's Alarum to Slumbering Euphues, and his Euphues's Censure to Philautus.
This he calls a 'cooling-card. It is addressed primarily to Philautus, but contains general advice for 'all fond lovers. Euphues's own cure was radical, for he says, 'Now do I give a farewell to the world, meaning rather to macerate myself with melancholy, than pine in folly, rather choosing to die in my study amidst my books than to court it in Italy in the company of ladies. He returns to Athens, applies himself to the study of philosophy, becomes public reader in the University, and, as crowning evidence that he has finished sowing his wild oats, produces three volumes of lectures.
Lucilla is rude at first, but becomes enamored of Euphues's conversational power, and finally of himself. In fact, she unceremoniously throws over her former lover, and tells her father that she will either marry Euphues or else lead apes in hell.
His brother dramatist, Thomas Lodge, published, in 1590, Rosalynde: Euphues's Golden Legacy, from which Shakspere took the plot of As You Like It. Shakspere and Ben Jonson both quote from Euphues in their plays, and Shakspere was really writing Euphuism when he wrote such a sentence as "'Tis true, 'tis pity; pity 'tis 'tis true."
In the same month one London publisher, Francis Smethwick, registered for his copies a number of books of the poetical kind which had been the property of his late father, including "Mr. Drayton's Poems," "Euphues's Golden Legacy," Meres's "Witt's Commonwealth," and also "Hamblett, a Play," "The Taming of the Shrew," "Romeo and Juliet," and "Love's Labour's Lost."
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