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'The old humbug! added Claude. 'Why, he has his little Salon all to himself. That's very cute indeed. Chaine's face became radiant, and he dropped the remark: 'Of course!

When Antrim opened its first flower show I was a boy of all work at old Mrs. Chaine's. The gardener was pleased with my work and gave me a hothouse plant to put in competition. I carried it home proudly and laid it down beside her in the chimney-corner. "The gerd'ner says it'll bate th' brains out on aany geranium in the show!" I said.

An abomination of Chaine's, a 'Christ pardoning the Woman taken in Adultery, made them pause; it was a group of dry figures that looked as if cut out of wood, very bony of build, and seemingly painted with mud. But close by they admired a very fine study of a woman, seen from behind, with her head turned sideways.

They were Chaine's three masterpieces, which now followed him from fair to fair, from one end of Paris to the other. The 'Woman taken in Adultery' in the centre, the copy of the Mantegna on the left, and Mahoudeau's stove on the right.

Folks laughed less before Chaine's Christ than before the back view of the nude woman, who seemed to them very comical indeed. The 'Lady in White' also stupefied people and drew them together; folks nudged each other and went into hysterics almost; there was always a grinning group in front of it.