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Updated: May 9, 2025
The possible scale of mere correspondence being of course from one to one hundred, they secured greater truth by painting between twenty and eighty, we may say. Hence the grayness of the most successful French landscapes of the present day those of Bastien-Lepage's backgrounds, of Cazin's pictures.
Indeed, his usual palette, as does Mauve's and Cazin's, seems to me to be only yellow ochre and blue-black, and with these two colors he expresses the whole range of the color scheme in nature, with the varying lights of day and night, except in depicting sunsets.
Of the realistic landscape painters, the strict impressionists apart, none is more eminent than M. Cazin, whose work is full of interest, and if at times it leaves one a little cold, this is perhaps an affair of the beholder's temperament rather than of M. Cazin's. He is a thoroughly original painter, and, what is more at the present day, an imaginative one.
Their skies are beautifully observed graduated in value with delicate verisimilitude from the horizon up, and wind-swept, or drenched with mist, or ringing clear, as the motive may dictate. All objects take their places with a precision that, nevertheless, is in nowise pedantic, and is perfectly free. Cazin's palette is, moreover, a thoroughly individual one.
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