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Updated: May 22, 2025
But you must clearly understand that this air is by Pacini; Carthagenova introduces it instead of that by Rossini. This air, Paventa, will no doubt hold its place in the score; it gives a bass too good an opportunity for displaying the quality of his voice, and expression here will carry the day rather than science.
The father congratulates himself on his son's approaching marriage, and the son is in despair at this fresh obstacle, though it only increases his love, to which everything is opposed. Genovese and Carthagenova are singing admirably. As you see, the tenor is making his peace with the house. How well he brings out the beauty of the music!
Genovese, who had sung his duet with Carthagenova so well, was caricaturing himself now that la Tinti was on the stage. From a great singer he sank to the level of the most worthless chorus singer. The most formidable uproar arose that had ever echoed to the roof of the Fenice.
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