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Updated: June 14, 2025
And while the fortune of her people is most desperate she is shown in the quiet shelter of the tent of Holofernes. Sinuous in grace, tranced, passionately in love, she has forgotten her peculiar task. She is in a sense Bethulia itself, the race of Israel made over into a woman, while Holofernes is the embodiment of the besieging army.
Each actor in the assemblies has a refreshing equipment in gentle gesticulation; for the manners and customs of Bethulia must needs be different from those of America. Though the population moves together as a river, each citizen is quite preoccupied. To the furthest corner of the picture, they are egotistical as human beings. The elder goes by, in theological conversation with his friend.
Then follows a great battle, with full victory to Israel. The poet has varied from the Biblical story, in representing the officers of Holofernes' army as drunk; and also in telling of a battle after the return of Judith to Bethulia. It also may seem strange that Judith should address the Holy Trinity and each separate Person thereof.
Many of the moving pictures discussed in this book are rewritten stage dramas, and one, Judith of Bethulia, is a pronounced success. But in order to be real photoplays the stage dramas must be overhauled indeed, turned inside out and upside down. The successful motion picture expresses itself through mechanical devices that are being evolved every hour.
The other men soothly, that were in Bethulia, went in to the tents of the Assyrians, and took all the prey that the Assyrians had left, and when the men had pursued them were returned, they took all their beasts and all the movable goods and things that they had left, so much that every man from the most to the least were made rich by the prey that they took.
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