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[Anmerkung 106: Er schrieb: +»On trouve fort
The Avare of Moliere is not so properly the picture of a covetous man, as of covetousness itself. Racine's Nero on the other hand, is not a picture of cruelty, but of a cruel man. d.I.: "In dem nämlichen Geiste schildern die zwei Gattungen des Drama auch ihre Charaktere. Die Komödie macht alle ihre Charaktere general; die Tragödie partikulär.
Auf die Worte des alten Hausherrn antwortete sie nur langgezogen, freundlich, verwundert und einfältig: »Gott On k el ?« Sie ließ sich nicht einschüchtern, sie aß, ob es auch nicht anschlug und ob man sie verspottete, mit dem instinktmäßig ausbeutenden Appetit der armen Verwandten am reichen Freitische, lächelte unempfindlich und bedeckte ihren Teller mit guten Dingen, geduldig, zäh, hungrig und mager.
Und gegen meinen Willen sprechen meine Lippen zu meiner Seele: „What is written, sweet Sister, On the door of this legended tomb?“ She replied: „Ulalume Ulalume ’Tis the vault of thy lost Ulalume!“ Immer steigert sich meine Furcht.
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Hoist the sails once more, Bid the shore farewell forevermore! Ha, zweifelst Du an meiner Treue? Unseliger, was verblendet Dich! Halt ein! Halt ein! Halt ein! Das Bündniss nicht bereue, Was ich gelobte, halte ich. Halt ein! Halt ein! Doubt not my faith! Act thou not rash! Desist! desist! In faith I’ll keep What I’ve promised. Act thou not rash! Hold on! hold on!
S. Darwin, Geological Observations on Coral Reefs Volcanic Islands and on South America. London 1851 mit der vor dem Titelblatt eingehefteten Karte.
"And sire Pelleas was a worshipful knyghte & was one of the four that encheued the sancgreal; and the damoysel of the lake made by her meanes that never he had adoo with sire launcelot de lake, for where sire launcelot was at ony Iustes or ony tornement, she wold not suffre hym be there that daye, but yf it were on the syde of sire launcelot".
It is almost an axiom with writers on this subject, that a sort of Solipsism or Berkleianism (as Professor Sully terms it as he finds it in the Child) operates in the savage to make him refuse to recognise death as a fact. Marett, Pre-animistic religion, Folklore, XI.
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