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Updated: May 6, 2025
Mendelssohn, in a letter to Zelter on the Palestrina music as heard in the Sistine chapel, says that nothing could exceed the effect of the blending of the voices, the prolonged tones gradually merging from one note and chord to another, softly swelling, decreasing, at last dying out.
Before the first performance was quite ready, Felix felt there must be some one present who could really judge of the merits of his little piece. Who would do so better than his old professor of thorough bass and composition, Carl Zelter, the director of the Berlin Singakademie. Zelter agreed to accept this delicate office, and a large number of friends were invited for the occasion.
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