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Updated: May 17, 2025
It came down rapidly, Gousset not having troubled to put on the brake. They could hear him shouting to the horses. Walking on the left of the waggon he drove them by means of a long rope; his little dog trotted beside him. Vinchon and Morin were, for the moment, left behind by the increased speed of the waggon.
These observations equally apply to both these artists. The younger Dubuffe is rising rapidly in the estimation of artists. I have seen some portraits very true to life by Coignet, Roller, Laure, Rouilliard, and Vinchon; one of Sébastiani, by the latter, was quite nature itself.
But Vinchon and Morin, who were behind, had seen the waggon disappear in the wood. Morin, not caring to join in the scuffle, hurried across the fields, turned the edge of the wood, and ran towards Langannerie to inform the gendarmes. Vinchon, on the contrary, drew his sabre and advanced towards the road, but he had only taken a few steps when he received a triple discharge from the first post.
As he left the village he chanced to meet Vinchon, gendarme of the brigade of Langannerie, who was returning home on foot with his nephew, a young boy of seventeen, named Antoine Morin. They engaged in conversation with the carrier, who walked on the left of the waggon, and went with him. These chance companions were in no hurry, and Gousset did not appear to be in any haste to arrive.
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