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Updated: May 16, 2025
By an odd paradoxical coincidence, that very disbelief in the real character of art, and that divorce betwixt art and utility, is really due to our ultra-practical habit of taking seriously only the serviceable or instructive sides of things: the quality of beauty, which the healthy mind insists upon in everything it deals with, getting to be considered as an idle adjunct, fulfilling no kind of purpose; and therefore, as something detachable, separate, and speedily relegated to the museum or lumber-room where we keep our various shams: ideals, philosophies, all the playthings with which we sometimes wile away our idleness.
Research proceeds upon the same old lines and runs in the ancient grooves. Further, it is restricted by the ultra-practical views which are alone deemed reasonable. But there should be no limit placed on the mind. The purely ideal is as worthy of pursuit as the practical, and the mind is not to be pinned to dogmas of science any more than to dogmas of superstition.
Yet her mind, so positive, so realistic, so ultra-practical, had its singular revulsions, its mysterious moods of mysticism and of doubt. At times, lying sleepless in the early hours, she fell into long, strange, agonised meditations, and then, seizing a pencil, she would commit to paper the confessions of her soul.
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