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Updated: May 20, 2025
Scherer said: "She is a superior man in a body of a nervous and weak woman." She was a woman dominated by her reason—a characteristic which led to an incurable ennui, thus causing her terrible suffering, but equipping her with a penetration which saw through the world and knew man, whom she divided into three classes: les trompeurs, les trompés, les trompettes.
To some one who was eulogizing a mediocre man, adding that all the world was of the same opinion, she replied, "I make small account of the world, Monsieur, since I perceive that one can divide it into three parts, les trompeurs, les trompes, et les trompettes." Still it is life alone that interests her. Though she is not satisfied with people, she has always the hope that she will be.
We go, I find, to the Français, to see Mars, then sixty years old, in Les Dehors Trompeurs and in the Fausses Confidences; to the opera to hear Robert le Diable and Lucia di Lammermuir, with Persiani, Tamburini, and Rubini; and the following night to the Français again, to see Rachel in Cinna. I thought her personally, I observe, very attractive.
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