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Updated: May 12, 2025
He had found on Theodore's writing-table the 'Indice de Teatrali Spettacoli' for 1791, and this he handed to Theodore. This indice, like all which appear yearly in Italy, merely contained a list of the titles of the operas performed, with the names of their composers, and of the singers, scene-painters, &c., concerned in their production.
Such names as "Olivo e Pasquale," "La Convenienze Teatrali," "Il Borgomaestro di Saardam," "Gianni di Calais," "L'Esule di Roma," "Il Castello di Kenilworth," "Imelda di Lambertazzi," have no musical significance, except as belonging to a catalogue of forgotten titles. Donizetti was so poorly paid that need drove him to rapid composition, which could not wait for the true afflatus.
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