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Updated: May 9, 2025
The affair was well enough as a love-story, but the conclusion looked like a pleasant satire on those authors who insist that their tales and novels shall have an agreeable ending;" and the professor indulged in a hearty laugh as he recalled the manner in which Satyavama had been brought back to life by the divinity in yellow paint.
Sir Modava wrote this down in his memorandum book, and handed it to the Americans. Satyavama, the wife, insists that her only crime was her love for her divine husband. She narrates her early history, when she was a peasant girl on the banks of the Jumna, with her companions, and drew upon herself the attention of the god. Her life had been simple, and she had always been a faithful wife.
He drives Rukmini from him, and implores the yellow-painted god for forgiveness; and, as he is the preserver, it is granted. Satyavama is brought back to life. She presents her son to her husband, who holds out his arms to embrace him; and the curtain drops in a blaze of Bengal lights, and the "Wah! Wahs!" of the Hindu audience.
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