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Updated: May 19, 2025
What more unique triumph can be fancied than such a one violating all the laws of probability? Ronconi's low stature and commonplace features could express a tragic passion which could not be exceeded, or an exuberance of the wildest, quaintest, most spontaneous comedy ever born of mirth's most airy and tameless humor.
Those who saw Ronconi's acting in this country saw the great artist as a broken man, his powers partly wrecked by the habitual dejection which came of domestic suffering and professional reverses, but spasmodic gleams of his old energy still lent a deep interest to the work of the artist, great even in his decadence.
Unable to grant her petition, unable to free his son, the old man when left alone could only rave till his heart broke. Signor Ronconi's Doge is not to be forgotten by those who do not regard art as a toy, or the singer's art as something entirely distinct from dramatic truth."
Ronconi's voice, according to Chorley, barely exceeded an octave; it was weak and habitually out of tune. This baritone was not gifted with vocal agility and he was monotonous in his use of ornament. Nevertheless this same Chorley admits that Ronconi afforded him more pleasure in the theatre than almost any other singer he ever heard!
In giving some idea of the impression made by Ronconi at his best, we can not do better than quote the words of an able critic: "There have been few such examples of terrible courtly tragedy in Italian opera as Signor Ronconi's Chevreuse, the polished demeanor of his earlier scenes giving a fearful force of contrast to the latter ones when the torrent of pent-up passion nears the precipice.
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