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Updated: June 20, 2025
He called this work 'The Guard Ship Attacked. It represented a Dead Sea of Reckitt's Blue with two impossible ships wedged tightly into it, each broadside on to the spectator. From the port-holes of each issued little streaks of vermilion, and puffs of smoke like pills. The artist gloated over this work, and was ready to resent criticism of it like another Pietro Vanucci.
That was her idea of a colour scheme: apple-blossom pink and Reckitt's blue side by side. She dropped her wool and sat on the waterspout, and tried to understand things. "Number one, number two, number four; where the blazes" sparrows are essentially common, and the women are as bad as the men "is number three?" Mr. Sparrow came up from behind, over the roof.
It lies in the fact that the colors are presented in the wrong connection, on the wrong scale, and, above all, from the wrong motive. It is not colors he lacks, but a philosophy of colors. In short, there is nothing wrong with Reckitt's Blue except that it is not Reckitt's. Blue does not belong to Reckitt, but to the sky; black does not belong to Day and Martin, but to the abyss.
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