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Updated: May 26, 2025
GIULIA and SOFIA RAVOGLI in GLÜCK'S beautiful Opera, which has not been seen here for many years, but judging from its reception by a full and delighted house will be seen many times before Signor LAGO'S season comes to an end. Enthusiastic reception of GIULIA RAVOGLI as Orpheus; double recall after three of the four Acts; house insisting on having "Che farò" all over again.
A beautiful opera, not like Meyerbeer, nor even quite Mozart, but, in its way, perhaps even more lovely; something classical and of the Golden Age about it, chaste and mellow, and the Ravogli 'almost worthy of the old days' highest praise he could bestow.
A beautiful opera, not like Meyerbeer, nor even quite Mozart, but, in its way, perhaps even more lovely; something classical and of the Golden Age about it, chaste and mellow, and the Ravogli 'almost worthy of the old days' highest praise he could bestow.
The young singer, an American, with a voice and a magic reminding many an old frequenter of Covent Garden, through all difference, of Giulia Ravogli in her prime, played this poignant scene as though the superb music in which it was clothed was her natural voice, the mere fitting breath of the soul. Marcia sat arrested. The door of the box opened softly. A young man, smiling, stood in the doorway.
A beautiful opera, not like Meyerbeer, nor even quite Mozart, but, in its way, perhaps even more lovely; something classical and of the Golden Age about it, chaste and mellow, and the Ravogli 'almost worthy of the old days' highest praise he could bestow.
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