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Updated: May 26, 2025
But this first situation of his M. Polti finds to be infrequent on the modern stage, altho often met with in the Greek theater. These two situations, however, are far less effective in evoking the special pleasure proper to the theater than the nineteenth on M. Polti's list, "To kill unknowingly one of your own blood."
Highly interesting as is M. Polti's book, there is not a little difficulty in grasping the theory upon which he has assorted his immense collection into exactly three dozen divisions. The logic of his grouping is not immediately apparent, as it would have been had he taken the passions, for instance, as the several foundations.
There is not a little significance, however, in another of M. Polti's suggestions that perhaps a portion of the beauty and power we discern in the great plays of the Greeks was directly due to the accepted limitation of the themes which a tragic writer held himself authorized to treat.
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