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Updated: May 21, 2025


Let the reader mark the note of mourning struck in the opening stanzas, for instance, of Novalis's Longing after Death, their simplicity, homeliness, transparent sincerity, and then turn to any of the familiar passages where Byron meditates on the good things which the end brings to men. How artificial he seems, and unseasonably ornate, and how conscious of his public.

Practically all of his other published works are posthumous: his unfinished novel, Henry of Ofterdingen; a set of religious hymns; the beginnings of a "physical novel," The Novices at Saïs. Novalis's aphoristic "seed-thoughts" reveal Fichte's transcendental idealistic philosophy as the fine-spun web of all his observations on life.

Since the limitations of life appear most forcibly to correspondents in limited sheets of paper, let me bear away abruptly from music. My German progresses finely. I have read Novalis's poetry, and am just now finishing the "Lehrjahre." I read three or four hours daily, and am pleased at my progress. Burrill and I have just finished Johnson's "Elements of Agricultural Chemistry" and Buel's book.

We feel that we are watching clouds sweep majestically across the sky, and, even when they are darkest, blue interspaces are not far off. Contrast the moodiest parts of Childe Harold or of Cain with Novalis's Night Hymns. Byron's gloom is a mere elegance in comparison.

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