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But, in 1732, the same year in which he produced the Modern Husband, the Debauchees, and the Covent Garden Tragedy, he made an adaptation of Moliere's Medecin malgre lui, which had already been imitated in English by Mrs. Centlivre and others. This little piece, to which he gave the title of the Mock-Doctor; or, The Dumb Lady cur'd, was well received.

To this she replies by requesting that for the future he will beat the other half. This is apparently intended as a burlesque of the notorious quack Misaubin, to whom the Mock-Doctor was ironically dedicated. He was the proprietor of a famous pill, and was introduced by Hogarth into the Harlot's Progress.

He had been admitted a student of Lincoln's Inn a year before Fielding entered the Middle Temple, had afterwards turned wine-merchant, and was now delighting London by his versatility in comedy, tragedy, and farce. One of his earliest theatrical exploits, according to Sir John Hawkins, had been a private representation of Fielding's Mock-Doctor, in a room over the St.

The cordial reception of the Mock-Doctor seems to have encouraged Fielding to make further levies upon Moliere, and he speaks of his hope to do so in the "Preface." Lovegold, its leading role, became a stock part. In February 1733, when the Miser was first acted, Fielding was five and twenty. His means at this time were, in all probability, exceedingly uncertain.