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Elizabeth insisted, and in desperation Joe took a letter from his pocket and thrust it before her. "Mees-ter Hobart, he write he write heap b'gosh." "He isn't sick, Joe, is he?" "Sick!" Joe grunted his disgust at the thought of anyone being sick. "He well, so well he get fat, b'gosh, so fat, Meester O'Day, he look like pole he come long Meester Hobart, b'gosh."

Still behind him was as unusually large young woman, fully a head taller than either of the two men, who had an abundance of jet black hair, and was dressed in a very rich robe and wrap, both of which were somewhat soiled and worn. "Signor R-r-r-r-icardo, der grosse tenore Mees-ter Burnit," introduced the rotund little German, with a deep bow commensurate with the greatness of the great tenor.

"Signorina Car-r-r-avaggio Mees-ter Burnit. I, Mees-ter Burnit, Ich bin Brofessor Frühlingsvogel."

He gesticulated continuously, sawing the air with his hands. "Ye-s Joe Ratowsky, he run and tell ze ze. He ees one fool. He ze monkee on ze stick. Mees-ter Ho-bart, he meek hims jump." The suggestion was enough. Joe was the tool of someone, and that someone was Superintendent Hobart; such was the idea the Italian meant to convey.