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Updated: September 23, 2024
Marsollier complied willingly with the wishes of his friend, and after a few days he brought him the text for the small opera Irato.
With the same alacrity did Mehul sit down to the task of composing, and when the work was done, Marsollier went to the committee of the comic opera to tell them he had just received from Italy a score whose music was so extraordinary that he was fully convinced of its success, and had therefore been to the trouble, notwithstanding the weakness and foolishness of the libretto, to translate the text into French.
He went, therefore, to his friend, the poet Marsollier, and begged him to write an extremely lively and extravagant piece, whose design would be absurd enough to make it pass as the work of some Italian pamphlet-writer, and at the same time he enjoined the most profound secrecy.
At last the opera ended amid a real storm of applause; and, with their enthusiasm at the highest pitch, the audience claimed to know the names of the poet and of the composer. After a long pause the curtain rose and the registrar appeared; he made the three customary bows, and in a loud voice named Marsollier as the author and Mehul as the composer of the opera Irato.
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