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And in my old age, when our sons were man-grown and our daughters were mothers, when up from the southland the dark men, flat-browed, kinky-headed, surged like waves of the sea upon us and we fled back before them to the hill-slopes, Igar, like my mates far before and long after, leg-twining, arm-clasping, unseeing far visions, strove to hold me aloof from the battle.

And as I died them at the end of the fighting, there were death songs and singing about me, and the songs seemed to sing as these the words I have written when I was Ushu, the archer, and Igar, my mate-woman, leg-twining, arm-clasping, would have held me back from the battle.

And while I sang, the stranger men laughed in the twilight. And only she, Igar, believed and had faith in me. I took her alone to the hunting, where the deer sought the water-hole. And my bow twanged and sang in the covert, and the deer fell fast-stricken, and the warm meat was sweet to us, and she was mine there by the water-hole. And because of Igar I remained with the strange men.

And she was Igar, and I drew her as I sang in the twilight, for she was destined a race-mother, and she was broad-built and full-dugged, and she could not but draw to the man heavy-muscled, deep-chested, who sang of his prowess in man-slaying and in meat-getting, and so, promised food and protection to her in her weakness whilst she mothered the seed that was to hunt the meat and live after her.

But the flaking of stone they laughed at, till I shot an elk through and through, the flaked stone standing out and beyond, the feathered shaft sunk in its vitals, the whole tribe applauding. I was Ushu, the archer, and Igar was my woman and mate.

In her eyes I saw the eyes of Igar when I was Ushu the archer, the eyes of Arunga when I was the rice-harvester, the eyes of Selpa when I dreamed of bestriding the stallion, the eyes of Nuhila who leaned to the thrust of my sword.