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Updated: June 14, 2025
Her simplicity in telling him she had felt his conduct, her sweetness in being so ready to forget it, to enter into his expectations, to wish him well, had fascinated him, roused his chivalry. But most of all had her few words by the wall after Said Hitani's music touched him, been instrumental in bringing him nearer to her. "She showed me a bit of her real self," he thought.
His manner was self-reliant, almost determined. He went to the piano, sat down, and played the scene Gillier had liked so much, the scene in which some of Said Hitani's curious songs were reproduced. The two journalists were evidently delighted. "That's new!" said Van Brinen. "Nothing like that has ever been heard here before. It brings a breath of the East to Broadway."
"No, the rug!" she said. And, despite her bulk, she sank down with a swift ease that was almost Oriental. "Now please introduce me to Said Hitani!" Till late in the night she stayed between the blue-green walls, listening to the vehement voices and to the instruments, following all the strange journeys of Said Hitani's flute. She was genuinely fascinated, and this fact made her fascinating.
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