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Updated: May 22, 2025
The flutist Olaf Svenssen and the vocal artists Thorvald Lammers, Ingeborg Oselio-Björnson, and Ellen Gulbranson, have also brought distinction to their country. The male choirs of Norway have always played a leading rôle in the music life of the nation.
But the most astounding and lovely effects in the setting of the drama will not avail for long without true, finished, and beautiful art in the singing and acting; and, with a few exceptions, the singers do not give us anything approaching true, finished, and beautiful art. The exceptions are Van Rooy, Brema, Gulbranson, Brema, and Schumann-Heink.
She does not interpret Brünnhilde rather she uses the part as a vehicle for her private emotions; to an inordinate degree she reads into it her real or imaginary experience; and she has not learnt the trick of turning her feelings into the proper channels provided, so to say, by the part of so directing them that Gulbranson disappears behind Brünnhilde.
Brema's Fricka is noble and full of charm; Schumann-Heink sings the music of Erda with some sense of its mystery and of Waltraute in "Siegfried" with considerable passion; and Gulbranson has vastly improved her impersonation of Brünnhilde since last year.
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