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Though there is a similarity in the causes that produced the two books, there is a marked difference in their methods. Mendelssohn treats his subject as an impartial non-Jewish philosopher might have done. He is frequently too reserved, for fear of offending. Levinsohn, in Greek-Catholic Russia, is strictly frank. He is conscious of the difficulties under which he is laboring.
At the very moment of Wagner's triumph and of the full maturity of Liszt and Brahms, Moussorgsky composed as though he had been born into a world in which there was no musical tradition, a world where, indeed, no fine musical literature, and only a few folk-songs and orthodox liturgical chants and Greek-Catholic scales existed. Toward musical theory he seems to have been completely indifferent.
On February 24, 1914, the Hungarian Correspondence Bureau published the following piece of news: A terrible explosion took place this morning in the official premises of the newly-instituted Greek-Catholic Hungarian bishopric, which are on the second floor of the Ministry of Trade and Commerce in the Franz Deak Street.
It occurred in the office of the bishop's representative, the Vicar Michael Jaczkovics, whose secretary, Johann Slapowszky, was also present in the room. Both of them were blown to pieces. The Greek-Catholic bishop, Stephan Miklossy, was in a neighbouring room, but had a most marvellous escape.
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