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Updated: June 29, 2025
"By all that is holy!" cried Capraja, "will you tell me what score you are reading at this moment murdering Rossini? Pray inform us what you are thinking about, what demon is struggling in your throat." "A demon!" cried Genovese, "say rather the god of music.
He felt on his heart the trickle of pearls, dropped there by an angel; he woke, and found himself bathed in the tears of Massimilla Doni. He was lying in her arms, and she gazed at him as he slept. That evening, at the Fenice, though la Tinti had not allowed him to rise till two in the afternoon, which is said to be very bad for a tenor voice, Genovese sang divinely in his part in Semiramide.
A rumor had got abroad that Duke Cataneo had lectured Genovese, representing to him what injury he was doing to Clarina, the diva of the day. The second act would certainly be magnificent. "The Egyptian Prince and his father are on the stage," said the Duchess. "They have yielded once more, though insulting the Hebrews, but they are trembling with rage.
When this was over, the Princess had to take part in the famous quartette, Mi manca la voce, which was sung by her with Tinti, with the famous tenor Genovese, and with a well-known Italian Prince then in exile, whose voice, if he had not been a Prince, would have made him one of the Princes of Art. "Take that seat," said Francesca to Rodolphe, pointing to her own chair. "Oime!
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