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Updated: May 12, 2025


The great, calm gaze that is not sadness nor joy, but something that we know not of which is lost to the world for ever. "But if you want to be a painter you must go to France France is the only school of Art." I must again call attention to the phenomenon of echo-augury, that is to say, words heard in an unlooked-for quarter, that, without any appeal to our reason, impel belief. France!

The great, calm gaze that is not sadness nor joy, but something that we know not of, which is lost to the world for ever. "But if you want to be a painter you must go to France France is the only school of Art." I must again call attention to the phenomenon of echo-augury, that is to say, words heard in an unlooked-for quarter, that, without an appeal to our reason, impel belief. France!

Hardly able to believe my eyes, I read that you should write, with as little imagination as possible, that plot in a novel or in a play was illiterate and puerile, and that the art of M. Scribe was an art of strings and wires, etc. I rose up from breakfast, ordered my coffee, and stirred the sugar, a little dizzy, like one who has received a violent blow on the head. Echo-augury!

I was eleven years old when I first heard and obeyed this cry, or, shall I say, echo-augury? Scene: A great family coach, drawn by two powerful country horses, lumbers along a narrow Irish road. The ever-recurrent signs long ranges of blue mountains, the streak of bog, the rotting cabin, the flock of plover rising from the desolate water. Inside the coach there are two children.

Hardly able to believe my eyes, I read that you should write, with as little imagination as possible, that plot in a novel or in a play was illiterate and puerile, and that the art of M. Scribe was an art of strings and wires, etc. I rose up from breakfast, ordered my coffee, and stirred the sugar, a little dizzy, like one who has received a violent blow on the head. Echo-augury!

I was eleven years old when I first heard and obeyed this cry, or, shall I say, echo-augury? Scene: A great family coach, drawn by two powerful country horses, lumbers along a narrow Irish road. The ever recurrent signs long ranges of blue mountains, the streak of bog, the rotting cabin, the flock of plover rising from the desolate water. Inside the coach there are two children.

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