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We have seen what slovenly designs in the archaic cup and ring and incomplete circle style he dumped down at Dumbuck. I quote Dr. Munro on his doings at Dunbuie, where the faker occasionally drops a pear-shaped slate perforated stone, with a design in cupules. Dr.

He was the possessor of a marvelous collection of tropical plants, the result of the labors of skilful artists who knew how to follow nature and recreate her step by step, taking the flower as a bud, leading it to its full development, even imitating its decline, reaching such a point of perfection as to convey every nuance the most fugitive expressions of the flower when it opens at dawn and closes at evening, observing the appearance of the petals curled by the wind or rumpled by the rain, applying dew drops of gum on its matutinal corollas; shaping it in full bloom, when the branches bend under the burden of their sap, or showing the dried stem and shrivelled cupules, when calyxes are thrown off and leaves fall to the ground.

I shall return to the theory that the stones were "ornaments"; meanwhile I proceed to the consideration of "cup-marks" on stones, large or small. These cups, or cupules, or ecuelles occur, not only at Dumbuck, but in association with a Scottish crannog of the Iron age, admirably described by Dr. The remainder of the stone, with the smaller part of the design, was not found.