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Updated: June 19, 2025
"Where the bee sucks, there suck I; In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough." Prospero then buried deep in the earth his magical books and wand, for he was resolved never more to make use of the magic art.
This, indeed, was a fortunate circumstance, and might even be said to save poor Cowslip's life, if it was true, as she herself used solemnly to aver, that she must positively have expired for fear, if she had been left alone in the boat with six wild Highlanders in kilts.
"Where the bee sucks, there suck I: In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer, merrily: Merrily, merrily, shall I live now, Under the blossom that hangs on the bough." There was once a wicked Duke named Frederick, who took the dukedom that should have belonged to his brother, sending him into exile.
Here Ariel sang this pretty song: "Where the bee sucks, there suck !; In a cowslip's bell I lie: There I crouch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough." Prospero then buried deep in the earth his magical books and wand, for he was resolved never more to make use of the magic art.
Here Ariel sung this pretty song: "Where the bee sucks, there sack I; In a cowslip's bell I lie; There I couch when owls do cry. On the bat's back I do fly After summer merrily. Merrily, merrily shall I live now, Under the blossom that hangs on the bough."
Their raiment was made of the fairy flax, and the wood-anemone, with its fragile blossoms, was supposed to afford them shelter in wet weather. Shakespeare has represented Ariel reclining in "a cowslip's bell," and further speaks of the small crimson drops in its blossom as "gold coats spots" "these be rubies, fairy favours."
He begins, you will observe, with the conjugation, and ends with the declensions and the genders; the whole is inimitably droll: "Amo, amas, I love a lass, She is so sweet and tender, It is sweet Cowslip's Grace In the Nominative Case. And in the feminine Gender."
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