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And now you see me prala, snatch the bar of iron, and place the heated end of it upon the covantza, or anvil, and forthwith I commence cooring the sastra as hard as if I had been just engaged by a master at the rate of dui caulor, or two shillings, a day, brother; and when I have beaten the iron till it is nearly cool, and my arm tired, I place it again in the angar, and begin again to rouse the fire with the pudamengro, which signifies the blowing thing, and is another and more common word for bellows; and whilst thus employed I sing a gypsy song, the sound of which is wonderfully in unison with the hoarse moaning of the pudamengro, and ere the song is finished, the iron is again hot and malleable.
Behold, I place it once more on the covantza, and recommence hammering; and now I am somewhat at fault; I am in want of assistance; I want you, brother, or some one else, to take the bar out of my hand and support it upon the covantza, whilst I, applying a chinomescro, or kind of chisel, to the heated iron, cut off with a lusty stroke or two of the shukaro baro, or big hammer, as much as is required for the petul.
Behold, I place it once more on the covantza, and recommence hammering; and now I am somewhat at fault; I am in want of assistance; I want you, brother, or some one else, to take the bar out of my hand and support it upon the covantza, whilst I, applying a chinomescro, or kind of chisel, to the heated iron, cut off with a lusty stroke or two of the shukara baro, or big hammer, as much as is required for the petul.
Behold, I place it once more on the covantza, and recommence hammering; and now I am somewhat at fault; I am in want of assistance; I want you, brother, or some one else, to take the bar out of my hand and support it upon the covantza, whilst I, applying a chinomescro, or kind of chisel, to the heated iron, cut off with a lusty stroke or two of the shukaro baro, or big hammer, as much as is required for the petul.
And now you see me, prala, snatch the bar of iron, and place the heated end of it upon the covantza, or anvil, and forthwith I commence cooring the sastra as hard as if I had been just engaged by a master at the rate of dui caulor, or two shillings a day, brother; and when I have beaten the iron till it is nearly cool, and my arm tired, I place it again in the angar, and begin again to rouse the fire with the pudamengro, which signifies the blowing thing, and is another and more common word for bellows, and whilst thus employed I sing a gypsy song, the sound of which is wonderfully in unison with the hoarse moaning of the pudamengro, and ere the song is finished, the iron is again hot and malleable.
And now you see me prala, snatch the bar of iron, and place the heated end of it upon the covantza, or anvil, and forthwith I commence cooring the sastra as hard as if I had been just engaged by a master at the rate of dui caulor, or two shillings, a day, brother; and when I have beaten the iron till it is nearly cool, and my arm tired, I place it again in the angar, and begin again to rouse the fire with the pudamengro, which signifies the blowing thing, and is another and more common word for bellows; and whilst thus employed I sing a gypsy song, the sound of which is wonderfully in unison with the hoarse moaning of the pudamengro, and ere the song is finished, the iron is again hot and malleable.
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