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Andrea del Castagno was a painter in Florence in the fifteenth century; and he had a friend, likewise a painter, Domenico of Venice. The latter had the secret of painting in oils, and yielded to Castagno's entreaties to impart it to him.
Andrew Castagno's Magdalen, like Donatello's Wooden Statue of the same penitent in the Baptistery, seems a female Robinson Crusoe, hirsute, cadaverous, fleshless, uncombed and uncomely, certainly a more edifying spectacle than the voluptuous, Titianesque exhibitions of fair frailty which became the fashion afterwards.
The murderer lived to be seventy-four years old, and his crime was never suspected till he himself revealed it on his death-bed. Domenico did actually die in Castagno's arms. The death scene would have been a good one for the latter to paint in oils. September 1st.
Andrea del Castagno was a painter in Florence in the fifteenth century; and he had a friend, likewise a painter, Domenico of Venice. The latter had the secret of painting in oils, and yielded to Castagno's entreaties to impart it to him.
The church is very proud of possessing the robe of S. Francis, which is displayed once a year on October 4th. In the refectory is a "Last Supper" by Ghirlandaio, not quite so good as that which we saw at S. Marco, but very similar, and, like that, deriving from Castagno's at the Cenacolo di Sant' Apollonia. The predestined Judas is once more on the wrong side of the table.
The murderer lived to be seventy-four years old, and his crime was never suspected till he himself revealed it on his death-bed. Domenico did actually die in Castagno's arms. The death scene would have been a good one for the latter to paint in oils. September 1st.
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