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With Mlle. de Scudéry "we have substance, real character painting, true psychological penetration, and realism in observation," while previously the novel, under such men as Gomberville and La Calprenède, was imaginative and full of fancy.
Some historians relate that she proceeded to poison number six, but this does not appear to be certain, while it does appear that Calprenède lived in the married state for fifteen years, a longer respite than the antecedents of madame gave him any right to anticipate.
The custom of inserting letters in the course of the story was, as has already been indicated, a heritage from the times of Gomberville, La Calprenède, and the Scudérys when miscellaneous material of all sorts from poetry to prosy conversations was habitually used to diversify the narrative. Mrs. Haywood, however, employed the letter not to ornament but to intensify.
It is but a collection of short stories. Its author rejoiced in the romantic title of Gauthier de Costes Chevalier Seigneur de la Calprenède; he published Cléopâtre in 1642; he was the author of other romances, and some tragedies, noted only for their worthlessness. Even Richelieu, "quoiqu' admirateur indulgent de la médiocrité," could not stand Calprenède's tragedies.
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