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But in the middle of the eighteenth century their bare feet shuffled upon the stairs as, clad in white hooded cloaks descending to the very ground, they glided in and out of the low doors, or assembled in the little chapel called "Zion" to attend service under the lead of their founder, Conrad Beissels.

Beissels the Friedsam of the brotherhood was not only the poet but the composer of the choral songs, and a composer of rare merit. The music he wrote is preserved as it was copied out with great painstaking by the brethren and sisters.

To the surprise of all, Tabea left her work at once, covered up her head with the hood attached to her gown, and sought the lodge of Brother Friedsam, which stood between Bethany and Sharon. When Tabea was admitted to the cell, and stood before the revered Friedsam, she felt an unexpected palpitation. Nor was Beissels any more composed.

In the convent, where he reigned supreme, Beissels was known as Brother Friedsam; later he was reverently called Father Friedsam Gottrecht, a name that, like all their convent names, had plenty of mystical significance attached to it.

To the brethren and sisters who believed their little community in the Pennsylvania woods to be "the Woman in the Wilderness" seen by St. John, these words represented the only substantial and valuable things in the wide universe; and they sang the songs of Conrad Beissels with as much fervor as they could have sung the songs of heaven itself.